{"id":23392,"date":"2022-10-10T15:16:00","date_gmt":"2022-10-10T13:16:00","guid":{"rendered":"https:\/\/soundtrack.eu\/germany-a-study-on-the-economics-of-music-streaming\/"},"modified":"2023-08-23T10:18:55","modified_gmt":"2023-08-23T08:18:55","slug":"germany-a-study-on-the-economics-of-music-streaming","status":"publish","type":"post","link":"https:\/\/soundtrack.eu\/en\/germany-a-study-on-the-economics-of-music-streaming\/","title":{"rendered":"Germany: a study on the economics of music streaming"},"content":{"rendered":"\n<p>GEMA &#8211; a collecting society &#8211; commissioned the consultancy Goldmedia to study music streaming in Germany. <\/p>\n\n<p>It found that 45 per cent of the German population uses music streaming services, and around two-thirds have paid subscriptions. Spotify is used by 28% of the German people (over 14), ahead of Amazon Music (14%), Apple Music and SoundCloud (both 6 %); YouTube&#8217;s free service tops them with 58%. A 2 billion euro streaming market is expected in Germany by the end of 2022. Out of 4,278 members, GEMA found that 89% of music creators consider their remuneration from streaming to be &#8216;inadequate&#8217;. The average value of 1,000 music streams in Germany peaked at EUR 10.58 in 2016 and has fallen to EUR 8.12. <\/p>\n\n<p>Spotify&#8217;s subscription price remained unchanged, while Netflix&#8217;s Premium price rose from \u20ac11.99 per month in 2015 to \u20ac17.99 in 2022 and Standard&#8217;s from \u20ac9.99 to \u20ac12.99. Half of GEMA members strongly agree that streaming services retain too high a share of revenues compared to rights holders: Creators call for more transparency from OTT. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>GEMA &#8211; a collecting society &#8211; commissioned the consultancy Goldmedia to study music streaming in Germany. It found that 45 per cent of the German population uses music streaming services, and around two-thirds have paid subscriptions. Spotify is used by 28% of the German people&#8230;<\/p>\n","protected":false},"author":1,"featured_media":22711,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187,185],"tags":[],"class_list":["post-23392","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","category-streaming-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Germany: a study on the economics of music streaming - SOUNDTRACK<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soundtrack.eu\/germania-studio-sulleconomia-dello-streaming-musicale\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Germany: a study on the economics of music streaming - SOUNDTRACK\" \/>\n<meta property=\"og:description\" content=\"GEMA &#8211; a collecting society &#8211; commissioned the consultancy Goldmedia to study music streaming in Germany. It found that 45 per cent of the German population uses music streaming services, and around two-thirds have paid subscriptions. 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